Posted by on May 16, 2019 3:10 pm
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Categories: µ Newsjones

From displaced Kurds to carnival strippers, documentarian praised for carving ‘a new form of socially engaged photography’ by getting close to long-term subjects

The prestigious Deutsche Börse photography prize has been won by Susan Meiselas, an American whose work over five decades has seen her engage deeply with her subjects, from the scattered communities of the Kurdish diaspora to the women in her still edgy Carnival Strippers series.

The award, which in the past has tended to favour more conceptually driven artists, is a vindication of sorts for this socially committed documentarian. At the Photographers’ Gallery in London, which hosts the prize, Meiselas chose to exhibit In the Shadow of History, her long-term engagement with the plight of the Kurdish people, which was part of her recent touring retrospective, Mediations. Begun in 1977, it traces the lives of ordinary Kurds living in exile across the globe using photographs, film, text and projections, all of which reflect the depth of her collaboration with scholars, historians and local communities.

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