Posted by on April 21, 2019 3:43 am
Categories: µ Newsjones

Magnolia Pictures

Five years ago, I was eating dinner at a Chinese joint in Boston when a parade of black-clad guys in hoods and horns trudged into the restaurant, up the stairs and into the black box performance space on the third floor. They were members of the Satanic Temple, who had come to Boston to perform a Black Mass—a parody ceremony aping the rituals of a Catholic service.

Their arrival had caused chaos. Catholics who believed the group planned to use a consecrated host in the ceremony poured into the streets in protest. Op-eds condemning the ceremony popped up in publications from the Boston Globe to the BBC. At the core of the fight was the question of whether fringe spiritual groups could expect the same freedom of expression that Christians exercise on a daily basis. As it turned out, they couldn’t. The Satanists were kicked out of venue after venue, until they wound up on the third floor of the Hong Kong restaurant on Massachusetts Avenue, lighting candles and murmuring in mock religious fervor.

Now, that same scene appears in the opening act of a new documentary from Penny Lane (her real name), documentarian and chronicler of weird Americana. Lane’s other movies—which range from a look at patients who believe they have Morgellons (The Pain of Others), to an examination of Richard Nixon’s home movies (Our Nixon), to the biography of a wacky radio host who launched a national campaign to cure impotence with goat testicles (Nuts!)—tend to dig into the underbelly of our national oddities. Her latest, Hail Satan?, which premiered at Sundance in January, continues the trend. The film follows the Satanic Temple and its co-founder Lucien Greaves from its rise in the early 2010s, into the streets of Boston, and up to their legal battles in Oklahoma and Arkansas to erect a nine-foot statue of the goat-headed god Baphomet on capitol grounds.

Read more at The Daily Beast.

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