Posted by on June 6, 2019 10:00 am
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Categories: µ Newsjones

The horror of battle is given visceral power in Steven Spielberg’s dazzling fusion of audacity, action and human drama

A present participle in the title usually promises a film with light, ironical flavour: Driving Miss Daisy, Being John Malkovich, Breakin’ 2: Electric Boogaloo. Not here. Screenwriter Robert Rodat imagined this colossal second world war blockbuster with absolute seriousness, loosely inspired by the real-life case of Sgt Frederick Niland, recalled to the US from the Normandy campaign on emergency compassionate grounds because all his brothers were believed (wrongly, as it turned out) to have been killed in action.

Related: Late Night review – battle of words in the TV writers’ room | Peter Bradshaw’s film of the week

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