Posted by on June 5, 2019 10:03 am
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Categories: µ Newsjones

The French artist’s giant biodegradable frescoes adorn fields, are best seen by drones and only last days. Now, Guardian readers can get their hands on them

On a vast stretch of lawn beneath the Eiffel tower, a paint-splattered figure in a baseball cap is kneeling down, carefully planting small wooden stakes into the grass, checking each is aligned with a tape-measure.

It’s an odd sight in the park beneath Paris’s main tourist attraction, but in the morning rush, few people pause to wonder what he is doing. They simply continue trampling over the grass, or let their dogs bound over it. “I’m used to all kinds of hazards to my work,” shrugs the artist Saype. “If it’s not the weather, it’s cows walking over it, or moles popping up, and here it’s dogs. I take it as a lesson in humility.”

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